As noted by some, The Killers are "a live band, where even the largest studio pressed Stuss suddenly gets some energetic Great. How to do this, I do not know to this day. Nevertheless, you can not fail to note that the studio music since Day & Age anmutet something deeply mainstream and pop a relationship. Self Day & Age nice to hear, has infinite cost a lot of power in retrospect and the magnificence of Dustland ... "to discover needed, oddly enough, a few attempts. The commercial-scale attack human "remains, however also the 100th time were still sticky scrap, like so many products in this band in the past 4 years is why I stick with the assumption back on Battle Born is not a hit befände because there is a fear. as some sellers might plan rumlungern ...
Battle Born is actually "become and forms a musical cross-section of Day & Age" slightly rockier and SamŽs Town ". In the first runs my Battle Born like something better than his time Day & Age (which was not difficult). Is perhaps because that it is now beautiful happy if nothing comes out of the speakers for immediate Fremdschämen. Vocally to Flowers moved since SamŽs Town anyway at the top level. The quality of Battle Born corresponds therefore to a large extent my low expectations. Flesh & Bone is quite a nice synth Opener the only way notice that he is not quite as greasy comes across as his time Losing Touch, Runaways a verkorkster hit single experiment, the Songs of The Way It Was "to deadlines" generate at least not directly embarrassing moments trodden silence. From Miss Atomic Bomb " builds the plate unfortunately further. A cover of Lady in Red "would have as final although again perfectly fit, but we will continue to save. After all, thank you for this. The only question why neither the killer nor the producers succeed in transferring the energy of live performances on a studio album, as it did once before succeeded SamŽs Town. If it so should be a follow-up album (which I doubt), please without Stuart Price!
To conclusively dispel widespread misconceptions 2:
Chris de Burgh was out listening even without much effort on Hot Fuss. Flowers timbre reminiscent stop frequently to Schwulstbolzen of the island. Meanwhile, since the music of Killers is rinsed for market conformity that falls only on more. Not as bad, if not for the inkling that Flowers like Chris de Burgh would ...
A 80`s revival band The Killers were always! Only the references to the Killers have changed over time. What The Killers "understand even among musical tastes, illustrates most clearly the song Parade on the B-sides collection Sawdust" where mercy is poached in all districts, some with serious varying quality (terrific: Tranquilize ", Mies: Shadowplay"). Time sound The Killers British then uramerikanisch and somehow that was in his carefree nature whatsoever personable and hardly predictable. But between the winking handle in the musical Klamottenkiste and self-parody, it is still only a very, very fine line. When I come back to the aforementioned cover, I suppose that The Killers have already exceeded this point far.