The Herwig seems to be gradually moving into the feature pages (see FAZ report) to keep and which should be his status and justice. Fandango is fortunately not the trash can or the leftovers of published just last year album "Insolito". The title track sounds like "The Animal from the Muppet Show" around drumming on a tin shed, not to mention: bulky and tough in detail. Incidentally, one is amazed at what the Herwig so creates its own. At first listen, I thought immediately of Oasis in the two openers "Alaska" and "Aha"; which indeed purely on the composition based a huge compliment here at this point. The songs are converted authentic and not like Gallagher abgleitend in an art universe later Beatles traditions. Herwig is rough and gradlienig like Spliff times. On "HHH" with the Sexy Lady insert memories of old Westlife times might arise while Mitteregger but also shows that he seems to have arrived in modernity: CIRCLES has current mood colors in the style of Xaviar Neindu. "I am free" there have been times c.1978 by Peter Maffay as bike version; Herwig österreichelt here so elegant to himself, as he has already done on his debut album in "German lice"; that was at the time but a cover version. The original he delivers from now with 25 years late and it has truly rugged qualities within the meaning of Tom Waits. About the fire escape the glare still burns; he brought again as on the previous album (Glaspalast 07) a new stand-alone version of a classic Spliff. Emergency exit 09 shows mainly Herwigs - qualities in arrangements; the part is completely new and nicely dressed up. The whole work gives the impression that it is "not long after, thinking man" -style produced in; So faster and easier than previous productions and now it sounds like from the time with "no guts no girls' all began. It sounded quite incidentally and in passing by the King of banalities wonderful ballads and rock songs like Ben, live in rural areas and the rürende SO NEAR & FAR. Authenticity is written with h. How Herwig.
