Review of the "Intro" 10/2006

The first album from Anders Trentemøller seems like an act of liberation. No other techno producer knew in the past two years, with each of his works to deliver an incredibly perfect and functional product for the dancefloor as the Danish star remixer, nobody saw but also more exposed to the accusation, always sound the same when also the same awesome.

The genius of The Last Resort is not the merciless functionality, on the contrary: the thirteen pieces of the 77-minute work beguile with a fascinating melancholy and beauty that you have on a Elektronika album and with nothing else we can do it here rarely has heard.

From danceable usually far away, here is everything in the river, a river that the very varied landscape Trentemøller last resort (last resort) flows through. That while listening to the image of a fantasy world on the cover very beautiful than dark forest illustrates inevitably imposes, is certainly the intention of the producers. Trentemøller takes the listener on an eventful musical journey which, accompanied by acoustic instruments such as guitar, bass, glockenspiel, melodica and drums, by Dub, Schaffel, Bigbeat and even hip-hop leads to only occasional stripes techno. Actually you will no longer come out of the wonder that only a man could produce such an incredibly complex work.

Anders Trentemøller catapulted themselves with this record that so far from the tool-character of its 12-inch releases and the albums of many of his colleagues moves, uncontested at the forefront of international producers squad and worked a little at top end Credibility as a visionary musicians.