An oddball team

Totally agree with previous comments, listening to this album as stamp unmistakable 70's still present considerable interest. A very successful production Bob Ezrin, rich in effects placed at the service of an eclectic album that will delight the mind rocks (diehard "School's Out" and "Public Animal # 9" the most progressive "My Star" and "Luney Tunes ") as much as pops (" Alma Mater "and McCartney vocal line reminiscent, almost jazzy" Blue Turk "with his guitar duel overdrive and unobtrusive reverb / saxophone). The final crescendo begins as a piece of "classic R & B", and by a great reinforcement of synthesisers, strings and brass, continues in a kind of immense soul band before the epilogue, as the abrupt conclusion of the Bolero, made a descending sequence of three notes and a "Paaaaw" peremptory (same as the end of "Gutter Cats vs. the Jets"). Often onomatopoeic song which partakes of the general fancy, radical words or tasty (the title track ...), full instrumentation of surprises, this CD is truly a must buy!

PS: The imaginative bassist Dennis Dunaway unknown but that the production of the same Ezrin had already highlighted in the previous two albums "Love it to death" and "Killer" (a rare thing in the productions "hard" and "rock "at the time), rises above an already remarkable lot and makes a fabulous job. Its sound, widely present in all the pieces, adding a funk color "Chuck Rainey" impulse and an irresistible groove to the entire album (with particular mention to the interlude "Street Fight" and especially the énormissime "Gutter Cats" model of its kind with its strings of batteries and ternary swing, his ghosts notes, his stuttering and ornaments demisemiquavers, chromaticism in its slide down ...)