Many reject yes from the room's clone "soundtracks" ... I can understand that perfectly. I myself go there always pretty open mind ran, and Djavadis score two years ago has surprised me very positively, but I found the loose sound and the "main theme" extremely fit for the loose style of play from Downey Jr. and the tone of the whole film.
So now Debney. From him I have so far only "End of Days" and with this score, I was never really warm, possibly also because the female vocals in TV was again and again exploited in such sophisticated programs like explosives ... and even today in the Mercedes Benz advertising is heard ... anyway, I digress.
Much as I was not bothered at Part One of Iron Man actually quite unstructured score, so this works for me here like this.
For where Djawadis score fairly loose - sorry, have no other name for it - came along so is this one, in my view quite cumbersome ... is to hire the orchestra instead Synth samples ... but I expect at his good orchestra somehow themes for the main characters and various variations thereof ... But here: nothing! The new theme for Iron Man is all twice on the album, as even cut quite short and again in the last track / penultimate track, and sounds damned by Goldsmith and Total Recall to ... also bugs me the theme for Whiplash, the usual Russian Fischer choirs wah.
Sounds arg now negative, but the score is not bad. But not the bringer.
A worth buying in my opinion for Sammelkomplettisten like me or Debney fans ...
