From that they celebrate their 50 year career, The Rolling Stones narrêtent addition to Currentness. The Increvables come to sell tickets for a concert in Adelaide (Australia) March 22, 2014 which should prefigure the tour departure dune called "Far East & Down Under" continuing with New Zealand, Japan and China. A monitor so. Otherwise, for buffs among enthusiasts, or for philistines, I note that Rolling Stone magazine (France) just released earlier this month, a special issue The Rolling Stones: the album of 50 years (9.90 euros at your newsagent) with unpublished photographs by Tony Scott, usually in Black & White. This is complete, all disks are Reviewed all concert dates in France are listed on a page but nothing dinédit either. Finally jen come to my day ticket, this package 2 CD + 1 DVD, restoring the two concerts in Hyde Park (London) in July. Both CD repeat the same securities as the downloadable disc on iTunes for a few weeks in August. If the CD contains nineteen songs, the DVD noffre sixteen titles in continuity, that is to say, are excluded from the film Tumbling Dice, Emotional Rescue, Paint It Black and Before They Make Me Run quon but there is Happy . These absences are nevertheless found in all three bonuses. One can legitimately ask the question, why not have built the first two bonuses in the concert itself, reading fluency would have been simplified without altering a type Stones concert? The third remaining title logically a bonus, as Keith Richards would never sing more than two songs on stage, it was normal not to lincorporer track-listing. The film vaguely reminiscent of Woodstock, air introduction, field tents, crowd of spectators before strolling together, plot plan covered trash after concert, all images not from London but also covering the show Glastonberry. Moreover, during the concert itself, short shots of Hyde Park 1969 are introduced in the musical narration and interviews musicians like commercials (Attention subtitles are not provided by the DVD!) and far too many for my taste, plans on viewers. Suffice to say that I do not find the film particularly successful, although i enjoyed the view Images that Mount marked bagousée the hand of death of Keith Richards lighting of a casual gesture his cigarette on Honky Tonk Woman Jagger donning a white garment recalling that he wore baggy jumper in 1969, Hello! laconic Charlie Watts to the crowd, which Mick Taylor is no longer dominant appearance and dates déphèbe quun old memory that nevertheless delivers a long solo on Midnight Rambler on but remains anecdotal Satisfaction, Gimmie Shelter on the love parade between Mick and Lisa could be seen the age of ridicule lovebirds but passing the ramp, Keith taking his now classic pose heron on Jumpin Jack Flash and finally the synthetic black cape Visigoth Jagger puts for Sympathy For The Devil. But more important than all this are the smiles that mark the most. Those of course spectators, but also those musicians who seem to take a real pleasure to be found in Hyde Park more than forty years later. Even Mick Taylor smiled, this is tell you!