The Rocknroll sensation of 2008

From any young band from London who thinks highly of itself, one would expect more at an average age of sixteen, she spends a lot of time, from any blogs you download the latest remixes on their iPhones, instead of their own tunes on records with to cut 78 revolutions. But the two-sisters and one brother rock'n'roll enthusiast Kitty, Daisy & Lewis are just not an ordinary band.

The album was recorded by Lewis and his father Graeme (Exchange Studios!), In which no bit digital technology used came on time-honored manner analogous in their home studio in Kentish Town. Lewis wants the music, with his sisters and he continually deal, live and breathe with all passion. And therefore for him 78rpm discs - better known as "shellac records" which were fabricated after the introduction of PVC as a manufacturing material up in the sixties into - much more than just coveted collector's items, which he described as DJ regularly used brings: for Lewis the ultimate rock'n'roll format remains the gramophone records, whose manufacturing technology it has acquired an autodidact. And so he stands for Cutting of 10'-edition of the latest Kitty, Daisy & Lewis single 'Going Up The Country', which is actually running at 78 revolutions, responsible. Blessed shellac records fan and White-Stripes-explorer John Peel would have enjoyed in the (real) Sibling Trio!

But the debut of Kitty, Daisy & Lewis is anything but a dry exercise in backwardness. Rather, it resonates with a passion, intensity and exuberant joie de vivre that makes her live shows of the greatest and most innocent pleasures that there just to see. And when you consider that this album was always included only in the free hours when queuing times no school and university commitments at the three!

'Kitty, Daisy & Lewis' consists firstly of numerous genre classics (like "Going Up The Country" - the second largest hit for Canned Heat - or the now famous by Muddy Waters R'n'B Evergreen "Got My Mojo Working "), you know, thanks to her father, who she had sung them in infancy, on the other hand new songs like the composer of Lewis, heartbreaking" Buggin 'Blues ". It was the late lamented Blue pianist and Chess Artist Otis Spann (1930 - 1970) Pate, who also already began his career with 14 and later one of the most sought-after sidemen (next Waters also Bo Diddley, Buddy Guy and Junior Wells) was.