Action:
Let's not talk long about because: Wow, such a tricky and complicated resolution as in "Die drei ??? and the Phantom of the sea", it has not been seen in this radio drama series for some time! Author Marco Sonnleitner has chosen for the 171 case per se eerily atmospheric environment, namely an idyllic spots on the west coast of America, which seems to be good for quite a few secrets because of its history and its inhabitants and thus acts abundant mysterious. Gradually Justus, Peter and Bob penetrate into the depths of the village and deal with mysterious occurrences around the terrified children of the seaside resort on. That sounds so far everything highly entertaining, the magic of the place is unleashed. Gen mid-term the picture is changing, however, toward the blind, do not even negatives, but are difficult to understand, which unfavorably urges the place itself into the background. Children and young people are likely accordingly in the second radio play half lose their pleasure of hearing because the case correlations confused seem due to the narrative structure of what they are not, in truth, but they seem equally and this result it is certainly nothing to loose the way listening. In a flash, and suddenly that is using two of local acquaintance are numerous threads together before even the themes of jealousy and art are introduced. Still to come some inroads and great potential in themselves sheltering character Jimmy Blue Eye are the three detectives in many puzzles. Who still thinks of the character who rises out of the water and at issue initially? This all happens, believe it or not, in a little over one hour runtime, so an explanation for the confusion is that Marco Sonnleitner wants too much at one time and its melange of interesting plot aspects oversaturated the recipient. So the plot is not bad, but heavily overloaded in the end for a youth radio play detective. The spirits are likely to get divorced at this result, with a goodnight youth Kriminalhörspiel easy to understand has "Die drei ??? udn the Phantom of the sea" but not much to do!
Speaker:
The cast of characters in this sequence is 171. Also clumsy and also contributes to zwiegespaltenen impression. When one thinks of the occupation of a drunken, opaque coastal town-dweller, the well-known sports commentator Ulli Potofski is probably just about the last one you have on the bill. Despite all the Gelsenkirchen spokesman receives precisely this role. The otherwise in "Teufelskicker" contributors Potofski it creates, however, only represent one side of the peculiar and just therefore interesting figure effectively: the drunken. The mysterious side, however, he brings through the script with his seemingly randomly scattered, more profound words in the case is, vocally hardly support. Too bad, because thus the potential for womöglichen cult figure is lost, of which for example Gottfried Kramer in the early days of "Die drei ???" many created. Striking is the large number of characters, which ensures particularly in the final dialogues that clarity is lost. The vocal resemblance is partly astounding! Most likely still Stephan Schwartz can excel, acting with oblique, apparently a creative streak, as well as the native Japanese Toru Takahashi, who lends his voice to a compatriot. Fortunately, the Studio Körting has now agreed to it, to let interjected Asian roles of Asian speakers, what is the authenticity. The heavily disguised voices of earlier years are therefore history. Quite neatly to make the performances of the three main speakers, so the benefits of Oliver Rohrbeck, Jens Wawrczeck and Andreas Fröhlich. Especially Wawrczeck is placed in the role of Peter again and again to the fear-tasting and who knows, please. Also starring are heard, among others, Manfred Reddemann, Pat Murphy, Simone Ritscher, Jan-Christof kick and Gordon Piedesack together with a number of other speakers.
Music and effects:
It is gratifying that the musical aspect of the "Die drei ???" - has improved radio play with the use of the style music from the mid-120 sequences. Thus, the musical side presents more varied than before. Despite all passages are still present, in which the music more then ripples as underscored and the mood is hardly conducive. In this respect, there is room for music, the trend is nonetheless in the right direction. The background noise is of course dominated by water and waves crashing. This sounds succeed well, but also in the field of effects there is considerable room for improvement. Sterile conversation scenes help that some of the recorded voice read texts act. The credibility it is therefore beneficial if there is also in dialogue sequences a finer use of sound. Total confirmed on the under side of the painting by mature image of the other production areas.
Conclusion:
"The three ??? and the Phantom in the sea" is undoubtedly one of the most demanding radio drama episodes in the long tradition of "Die drei ???". Initially easy to listen to rob the entanglements with increasing duration the light Hörlaune, but which in no way implies a bad radio play. Rather, the action of the usual scripts distances. This is particularly due to the intricacy that would not ascribe to a youth series in this form. Consequently, "The three ??? and the Phantom in the sea" a tough and interesting at the same time, in spite of everything with distance genießendes radio play, with the author Marco Sonnleitner has probably just wanted in his action, the bottom line too much.
