Electronic sounds and acoustic ballads

At first I was shocked by the album. The electronic songs at the beginning of the album initially not promised me, even the ballads in the second half did not want to go into the ear. Hear the sixth time suddenly all songs have ignited. This is very strange in Rosenstolz, because otherwise I liked their songs right away. Meanwhile, I am very satisfied with "Power Of Love"; especially the division of the album in an electronically and acoustically tinged part I find very appealing. "Sternraketen" is a perfect opener, especially since the song is the best electronic song. The chorus is intoxicating. In "Power Of Love" I had more starting problems, but is also this title terrific succeeded. Also "paradise" thrilled with a great chorus. "It still hurts," is a very beautiful electronically refined ballad. "Come with" have a nice text, musically he is one of the weakest songs on the album. The song "Hot" has brought me the first time listening to throw the CD out of the player angry, but also the song has finally ignited. There then follow the ballads. The first makes "I consume more", a very nice song, with the following song "Immortal" can not quite keep up. With "predator" Rosenstolz has then inserted a brilliant song that would musically belongs more in the first half of the album. "48 Stunden" is the most beautiful ballad of the album, here AnNa R. singing particularly beautiful, her voice is but in some songs a little distorted. Also at the conclusion of ballads "Princess on the sidelines" and "Day in Berlin" the Rosenstolz fans will get their money back. One should therefore give the album a chance and hear often. Eventually it begins to please, although there are still better albums of Rosenstolz (z. B. "The great life", "box-office poison", "Happy").