If you consider that the album before release date almost 1.5 million times
was sold and Lil Wayne's "MySpace" account of the most visited in the world to
you have to wonder which of guy we're talking about at all.
No question Lil Wayne has long established itself in the US as one of the best rappers,
whereby mainly his unique voice makes its particularity and not
his rape Kills.
With "Tha Carter I and II" he made in recent years repeatedly for
stir and good music.
Alongside he produced so many mixtapes and featurings that you confidently than him
Workaholic could call.
But mass makes far no quality.
It is precisely this, however, has leased for Lil Wayne.
His songs sound all succeeded - both the beats and the vocals
- What is, however, not only to Lil Wayne himself, but equally to the
Producers and featurings he has brought for his albums on board, or better
said that all want to be in the boat.
Especially with "Tha Carter III" the crowd was overwhelming and therefore could
Lil Wayne confidently the best out of the best looking.
Producers like Cool & Dre, Kanye West, Alchemist or Deezle took care of the beats
and produced innovative, amazing rap with catchy catchy and guaranteeing beats.
At the most extraordinary and yet, in my opinion, best here is the genius
Song "Lollipop" has become, which was produced by Jim Josin and "Deezle" and in the US
has already broken all records, such as "most played hip-hop music in
US radio ".
But the 16 song album comprehensive has more to offer than "Lollipop".
Along with artists like, Hurricane Chris, Juelz Santana, Fabolous, Busta Rhymes,
Ludacris and Jay-Z, he offers a "Hitbandbreite" that is unparalleled.
Absolutely outstanding to mention is also the song "Got Money" with T-Pain,
like so often boasts the strong choruses, and the upbeat "Mr. Carter"
along with Jay-Z.
The calmer "Mrs. Officer" with Bobby Valentino or "Comfortable", also bring some R & B
Sounds in the otherwise rather rap-heavy album.
Despite this, even Lil Wayne & Co. not to kreeieren a consistently brilliant album.
Songs like "phone home" or "La La" act uninspired and inappropriate to the hitgewaltigen else
Longplayer.
Nevertheless succeeds Lil Wayne again, thanks to his many years of routine, his rather
weaker rapeseed Kills compensate for his unique voice, and, thanks to the
numerous featurings to deliver an album in a class.