Expressive, progressive, ... the respectable debut season is over!

Everything is always in development and there is never an end, the time has captured us and takes us ever get out of here. So is her music on her new album, and it's probably even, always on the go, considers itself as a kind of passing through in this world - a beautiful and especially exciting image of man.
Sophie Hunger's debut albums "Sketches on Sea" and "Monday's Ghost" I found incredibly beautiful. Your music I had but discovered only after their third album "1983" at her performance on an indie festival for me.
My taste in music is very strongly influenced by the '70s, where the anti-establishment the pop culture and the mainstream pop jointly shared the Top Tens. Experimental and socio-politically it was still, at that time the music - to hear, everywhere. This is now largely disappeared, the scene has shifted, turned out as condensate in the many genres.
Sophie Hunger is confessing an exception, it connects for me indie, rock, classical, jazz, and (almost) (rather not Black Metal) without likely to make all other genres together yourself about thoughts. (Everything is Pop, which is not classical or jazz, she has learned in school so she once said in a talk show.)
It is their noted also that their musical traditions are important, it is rooted in it. She writes sometimes very subtle lyrics and know them perfectly to intone, she goes on a tour of discovery and find pearls that they covert great. It is just champion, 7 billion, and no one can do what they can, better.

No question, you could wish for, all this remains the case, everything as always. Their album "1983" but was different and "The Danger of Light" different again - oh dear, because someone developed? Creativity requires change, new things to see, to reshuffle. An artist who does not evolves, is not one point.

And with "Super Moon" - already 10 x belongs - provides the values ​​Dame his band and production team a perfect result of their creativity - inspired as I heard in the deserts of California? - From. She seems to define itself once again. And they did everything right.

The best thing about Sophie Hunger are and remain of course their contemplative and big concerts on their mammoth tours. In this I would want to give even less, than on their creations made from polycarbonate or vinyl. But even these are - commerce thank and she proves it with her fifth (Live Concert) CD "The Rules of Fire" and this CD - lovingly designed, so that the purchase of the CD is worth compared to the download version. (Yes, I admit it, I collect even CD's.)

Sophie Hunger is not sponsored my knowledge and does not advertise for industry-distance products. You can apparently live well of the little money they now earned their concerts and CD's. Well, if that - forever - remains. Now we get used to their new music and panting to their concerts - they are considering probably meanwhile the next unexpected.

My insignificant judgment: Superschöön.