Farewell to the Liedermacherei

If today (with more than 20 years apart) hears the music, it actually sounds like a kind of farewell to the classic songwriter Art. When times times, apart from the now almost obnoxious penetrating Lobgehudel a "Klaus Schneider," which pays homage to relish the "low-makers" Kunze on the cover, many tracks sound really as if Kunze want an end to the Niedermacherei.
The "critical" attitude of some pieces (Traumtänzer, Romance) is absurd so ridiculous that it hurts while listening and you can hardly hold out to the end. That Kunze is zuhält ears on the back of the cover, is understandable.
Still, all is musically translated into a cool-empty pop rock synth ambiance that fits exactly to Kunzes nuances free sober employee voice. "Empty Glass" and "I still have not got used to" are the best songs I've ever heard of Kunze.