"Cigars of the Pharaoh" is the fourth official tome (for a long time, he was the third) of "Tintin" and it is above all the first to offer a true adventure that is not unlike previous, estate skits quickly together to form a basic scenario. This story is so developed that in fact, it takes two albums (the suite is "The Blue Lotus"). Redesigned in colors like a lot of old ("In the Congo," "In America", "The Black Island", "The crab ..."), this album offers in its final colorized version, a monumental error in Bedouin tent, sees Tintin show by one of the servants of the Bedouin, one of his albums, "Moon", which already existed at the time of coloring the album, but that obviously does not exist at the time creating the original album. Bel anachronism that shows that Hergé could make blunders, or even could work in an emergency. The album is not bad, if not, and contains great moments (the tomb, the final meeting, the fake funeral), and we see for the first time Dupont (d), ie, it is an important album . But for me, despite its success, this is not one of the series of summits.