the time between trips to extreme electronic sounds and hard beats influenced sound collages have personally not too much ripped me when I these discs also high musical quality must attest and certain ingenious brachial factor Molvaer always shone through.
On this album, there is now a nebulous sentiment front, is accompanied Molvaer Stian Westerhus on various guitars and Erland Dahlen on drums, the instruments are highly alienated some, but fascinating counterpart to the pressed but very emotional form played trumpet.
Molvaer himself calls the free, black prog. because everyone likes now something else imagine under it, basically this is a ruppiges, very innovative jazz album, which creates with his soundscapes and constantly erupting eruptions a disturbing, but also disturbing atmosphere, without sounding ugly or annoying.
that does not sound completely new, but also to pigeonhole impossible. it is definitely not music for the kids snack, it's music for advanced jazz listeners with a penchant for the avant-garde and without a doubt a cross ingenious oeuvre.
sound that is not so easy to categorize by the conscious surface used for sound design noise carpets and alienation effects, the album sounds - probably deliberately - a bit technically, the trumpet is rather captured unlimited and clear, because there are nothing to complain about.
fine thing!
