Hui music, lyrics Pooh.

Musically you can blame the little Mannheimers truly. They make pleasing pop music that makes use of for various genres (rock, rap, reggae) and always contains catchy choruses. Although the sound was very largely ironed towards Radio capability (high compression, "tight" production), many songs still have a certain vitality and live atmosphere, which is well conveyed, through which musical skills have the children.

Everything was great so? Are you kidding me? Are you serious when you say that. Although by the departure Naidoo lyrics not so miserably missionary therefore come as before, the band vibrates still all too like the thick pathos club. As is the great "we" invoked in every other song, be it in terms of togetherness or the all too familiar "Together we are most" motif. Quite bad it is when the already often very thickly applied embassies forefinger is still unpacked. Social criticism and yes Weltverbesserertum are per se not Ablehnenswertes, but with the sons of Mannheim, the message is very absurd and exaggerated therefore slimy.

Who can begin with such Kirchentag grade lights songs something that is also with "ElyZion" have his / her joy. I lack in this music the charm, the irony, the acrimony. The band may consist of members of different nations, but in their conduct, it remains similar stuffy like many other German mainstream artists.

And that's a shame, because in some songs will flash their skills on. So is "How did" a very wonderful song about the loss of a loved one, and also "Vorspuln by drehn," is not quite as soapy doggedly 'over how the majority of the album. So there is still hope, though. Only slightly