Since In Extremo with Wakes the Dead! have begun to make medieval rock, has in principle reduced with each new album of medieval share in favor of the typical rock instruments. Quite apart from this, I think Sängerkrieg of 2008 for the first work of the band, where the quality clearly fell below the standard level of the predecessor. Nevertheless, there was plenty of highlights to listen to the disk for some acclimatization always happy. When successor Sterneneisen that was less the case, because more and more I got the impression to hear mainly moderately together tinkered with German rock Alibidudelsäcken and very peculiar texts. Kunstraub goes this path further: Not a single song is no longer held in German, the medieval instruments become even more into the background and the songs sound even less surprising or innovative. To that extent affects art theft on me like a star 2 iron for arms, which begins to annoy me with his well-known shallow rock at the latest after the third song. Sure, who really liked the predecessor, will be reasonably satisfied with art theft, for me the drive is redundant. On the next album I'm opposed to this not advance for nostalgic reasons, but let me in front of buying exactly what's waiting for me.