Jennifer Rostock. Stupid name. One of the few bands that you prior to announcement of the bands for the Federal Vision Song Contest did not know, but still before her performance at same. Ever since the show you should know them as musically interested Board Heller. My advice.
What sounds the band? Good question. One should not make the mistake and with Heroin, Silvermoon or July to throw alone due to the constellation (frontwoman and otherwise only boys) in a pot. Well, thinking that it is better not think and animal in you remember some quite something to Silvermoon, but both lyrically as even Goethe is recited, woho - as well as vocally, one is now in a completely different league than the colleagues , Visually of course. But it does not matter.
The combination of electro, punk and influences of the new German wave is determined not new, but still they manage to make it sound original. Not least thanks to the scratchy roaring voice of good Jennifer.
What can you expect when you have only heard heads or tails, and was not necessarily averse? Hmm. An album that you will like for sure! Guaranteed. Maybe I lean a little too far out of the window, but you can by purchasing the album not go wrong.
The opener, Fire sounds like heads or tails, and fulfills even the highest expectations. A naughty text combined with NDW / RetroPunk. Give me fire, then please go back home. Thus, the cigarette after she smokes rather be alone. So so.
With tasted blood is originally from Rostock frontwoman, she also has a soft little voice in the offer. The verses are recited with feeling and when she sings from the barrel of beef in cans and monotony, that sounds fortunately not embarrassing. The chorus is then still good again rocked.
Simple, cheerful, catchy songs, like nothing I prefer ity and Who would have thought (your feeling captivated me, in our first night. The feeling is gone, the bonds do not. Who would have thought ?! DAS), also with nice can boast electric gadgets, alternate with poetic-tinged, ballad, peculiar, yet mass-market songs from. Thoughts that you better not think and animal in you are prime examples. Since it can happen that you get goose bumps, which by the way happens to me more often before.
A small, unexpected Stilbruch follows with My perfume. Languishing sings Jennifer at her ex-boyfriend and sounds suspiciously like Chanson. It's easy, by no means overweight, but all the more expressive and with a text in which one sympathizes on one side, but in which, by the positive basic voice, among other things caused by a clever set up harmonica and the slightly ironic lyrics sometimes even into smile device. Really good. Who would have thought? Not me.
In child of yours is about a type of which you want a child. I know that you shocked now, but it is. With the song I had to be a little warm because the text has caused me as a male to give rise to a little jealousy. But now I am referring the lines of text easy on me and is already running things. Statements like if he enters the room, every woman step is overused erotic. And on and he considers this distance itself, bursting of an arrogance that fits Like indeed wonderful to me. The text is, like the whole album, intelligent and the roles are reversed in a charming way. (I'll build you a house, I'll plug a tree and you're making me a child for it. And after some time, I'll call certainly come to. Oh. It's just fun.
Somehow I felt at the beginning diadem reminiscent of Nina Hagen. But it is much more a mixture of ideal, Mia and just the very own, special serving of Jennifer Rostock, which is far cooler than all the reference bands with whom the band had to already compare.
Mona Lisa is not bad, but I have a lowlight present indeed. While it is fast and snotty, but somehow inconsequential to stay afloat under the rest of the songs. Although it wonderfully fits into the structure of the album.
With Himalaya, a beautifully-pop single candidate and I want to get out of here, that is again knitted quite easy and enjoyable dashes forward, a great end to the grand debut is found.
The songs are sassy, punky, danceable, mood enhancing and have a high recognition value, which is mainly due to the great vocal performance. However, the texts make up a large part of such an important individuality. Some perhaps may seem to put on, but I for my part have some fun with them and they like to listen to. You make a smart impression, and never act so schmaltzy, such as. The aforementioned colleagues of Silvermoon. Fortunately.
