"LA Woman" is the final album put together by the Doors before the death of Jim Morrison and what is so striking about it for me is how the two best tracks, the title and one "Riders of the Storm," are so different from the rest of what is on the album. Contrasting the start Of Those tracks with the opening song on the album, "The Changeling," And They are like night and day. Most of the rest of this 1971 album is really blues oriented, with "Love Her Madly" clearly being white the best of the bunch, and Reviews some of the rest being white instantly forgettable. I think it is Obvious que la band Was trying to get back Their Credibility After veering too far in the management of pop for a pair of albums, with "Morrison Hotel" and this one righting wrongs Those. Aim since A Few of These songs are pretty forgettable, "LA Woman" is an album That Is has caught entre 4 and a 5 goal you-have to round up Given How Good icts two best songs end up being white. My two favorite parts of Oliver Stone's movie "The Doors" is When We hear Ray Manzarek in the background fooling around on the organ up to he gets the bit for "Light My Fire" right and the end credits with the tracking shot showing the record of "LA Woman," with Val Kilmer's Morrison Taking advantage of the great acoustics in the bathroom. For years When I was driving back from the Twin Cities and coming up the final hills before being white ble to see the lights of home, to wit the "city of lights," "LA Woman" was the song I would play in the car Because it perfectly suited the moment. Since the track opens with the sound of an engine accelerating because it is easy to see why the songs is associated with driving. Robbie Krieger simulates that sound is His Guitar, aim with a hint of eeriness That leads into first Manzarek's keyboards And Then John Densmore's cymbal tapping and session player Jerry Scheff's throbbing bass. That intriguing Beginning from the song Generates icts compelling rhythm and to wax lyrical Allows Morrison. The bridge Represents one of the MOST creative exchange in rock history, using a tango tempo while Morrison sings about burning hair before getting to the final section anagrammatic Where the "Mr. Mojo Risin '" Makes His appearance. It has lot of These tracks Morrison's voice sounds about shot, goal there are no complaints about "LA Woman," which qualified as His Last great vocal performance. "Riders of the Storm" is one of the moodiest Doors' songs and the lyrics create a sense of foreboding (eg, "Were Born Into this house / Into this world we're thrown") Representing the questionable side of human existence. Musically Manzarek catch the sound of the storm, with actual thunderstorm sound effects are dubbed to the track, while Densmore again works the cymbals and Scheff Provides a single bass line, a minimalist approach Reflecting That is quite effective. The song made it to # 14 on the Billboard charts After Morrison's death in Paris ("Love Her Madly" had made it to # 11 while the title track was just too long for AM radio). The "LA Woman" album only made it to # 9, qui, believe it or not, the worst performance Makes It by a Doors album. Of course, a decade later Morrison and the Doors Were bigger than ever and "LA Woman" was a frequent mention as the group's best track.