Leaves a little the own ambitions of the composer miss

Since "Gladiator" it is quite clear that a Ridley Scott film history is really good with the music of Hans Zimmer. Especially when, as in "Robin Hood" Russell Crowe again plays the lead role.
Marc Streitfeldstraße was me anyway no word when I saw the name of the composer to "Robin Hood" and the beginning of the score (the first three tracks) is anything but great.
Track 1 "Destiny" is easy to grow, Track 2 "Creatures" is music for a horror movie or a thriller, but not a period film, Track 3 "Fate has smiled upon us" Um please whoever has the "Transformers" allowed in here? After all, who knows the music from the first "Transformers", will feel here is reminiscent of music from the end of this film.
From Track 4 "Godfrey", but then it gets much better, not least because every now and then a bagpipe positively to "Braveheart" imaginable. Even in episode fits perfectly to a dispute panel Music history film, because it uses a lot of medieval instruments, among others, in his orchestration, such as flutes, which were played at that time.
Nevertheless. Streitfeldstraße is not a composer whose music can also readily without the film stand on its own, but it is music that clearly sounds like commissioned work. Under served and supported the movie, but that's it. This may be his music as an artwork in itself, even without the film, such. As that of Hans Zimmer, does not appear to be armed field Ambition.
Therefore, "Robin Hood" a CAN Soundtrack for collectors of soundtracks, but definitely not a must, such as the history of film scores for "Gladiator," "Braveheart" or "King Arthur".