(1) Rammlied
Right at the beginning there is a real catchy tune. The song is mainly live a real cracker and is therefore perfect as an opener. Yet minutes later bawls you the "Ramm-stein!" With. The lyrics leans a little to the song "Birth of a Nation" from Ljubljana. The song has not too much to mean, but only announces the arrival of the band.
Rating: 5/5 pyro effects
(2) I hurt you you
A deviant and disgusting song that has landed Thanks to our Zensursula on the index. What is there even nicer to ban as a song that is neither serious nor has a too bad lyrics? Main thing is that the whole gangster from the ghetto still glorify their drugs and may justify crimes with their terrible childhood. Well, at least this song has now been released to the public.
Rating: 5/5 pyro effects
(3) Good Hunting
One of my personal favorites on the album, even if the reef structure and almost a little too much remember the song "Adios". The text, incidentally, contains extracts of the poem "Sautod" that Till Lindemann has published in his anthology "knife". It's amazing how Till Lindemann always manages to put themselves in all sorts of positions and situations and so realistic to portray from the first-person perspective. So here also - Waidmanns Thanks!
Rating: 5/5 pyro effects
(4) Shark
This song is based on the chorus lyrically very strong first performed at the "Ballad of Mack the Knife" from Brecht's Threepenny Opera in 1928, which is why you already be described as catchy him for it. Content to the song describe the problems the band members and show how these issues are taken up in public. Seen in this song is a remake of "Los". The text in the verses is designed "hold" here especially with words the word field. A really successful song!
Rating: 5/5 pyro effects
(5) B ********
Some wonder determines what is hidden behind this mysterious song title. This song title is the word "Bückstabü" which was invented by Till Lindemann and should be synonymous with desire, shoots and addiction. The text is in spite of the good theme though a little weak, but the melodic implementation convinced all the more.
Rating: 4/5 pyro effects
(6) Spring in Paris
The first ballad of the album, and equal to a very good! The song is the first time what the text depicts very well. Moreover, I find the French lines ("Je ne regrette rien" = "I regret nothing") very well selected and authentic.
Rating: 5/5 pyro effects
(7) Wiener Blut
For me personally, the best song on the album. As always very mysterious, scary and dark, only a trace everything harder. Content of the song is based on the criminal case of Amstetten, in which a father kept his daughter prisoner in cellar for 24 years and fathered six children with her. By Till Lindemann's incredible empathy, the very strong lyrics and the allusions in the background you almost feel yourself as the victim and can almost feel the loneliness in the dark already. Originally, this song should also simultaneously be the title track of the album, but as Falco had already brought out an album with this title, you could see on it.
Rating: 5/5 pyro effects
(8) Pussy
This song melody and song fit together unfortunately not completely, so that no real harmony arises. In addition, Till Lindemann sings many verses in English, which seems contrary to "Spring in Paris" unfortunately less authentic than strange. The theme is in contrast to the previous song but not necessarily all the rage, only the melody manages to save a lot here.
Rating: 4/5 pyro effects
(9) Love is for everyone
The title track of the album. Unlike its predecessor, this song again dealt a very serious issue. A Spanner who can love the woman he desires, only in his imagination, becomes the rapist, that the love is there for him. Melodic song is very good again, but this time the chorus not convinced all along the line.
Rating: 4/5 pyro effects
(10) More
This song leaves again to different interpretations. On the one hand it was written during the financial crisis, and thus may also refer to this, on the other hand, however, Paul Landers stated that this song refers to Till Lindemann. Unfortunately, this song is very much in the shadow of his predecessor and not convinced completely. Somehow you get the feeling that this song is made up parts of other songs. Here it is unfortunately to no song that branding is particularly strong in his ear.
Rating: 3/5 pyro effects
(11) Roter Sand
The second ballad on the album, however, the stands in the shadow of the first ballad. The song describes a duel of honor of two men to win the favor of a woman. The lyric I was hit by the ball of the counterparty fatal and is now dying. Thus, the title explains. Interesting here are the renunciation of the drums and the whistles in the background, serving the authenticity.
Rating: 4/5 pyro effects
- Bonus Tracks -
(1) Lead me
A very good introduction to the addition. And again proves Till Lindemann impressively that he has a very good lyrical empathy. Here he describes the life of a Siamese twin. The song is rather quiet, but by no means peaceful. I especially enjoyed here has me Till Lindemann's high vocals in the chorus.
Rating: 5/5 pyro effects
(2) Donaukinder
I still do not know whether we can evaluate this song as a ballad or not. It is fairly quiet and stands out due to its instrumental leadership and by the children's choir, which uses at the end of the song. Content addressed this song to Baia-Mare-spill in 2000, which is expressed by a very good text. Such songs make the decision whether one should get the Special Edition or not, much simpler.
Rating: 5/5 pyro effects
(3) Maintenance
This song is one of those who value a Special Edition and make sense. Here Rammstein relies on the well-known method to convert taboo subjects in a song. The lyric I is here a misanthrope, which is gearing up for the rampage at the end of the song. A crazed chant mingles here with a true minimalist, but quite good chorus.
Rating: 5/5 pyro effects
(4) Roter Sand (Orchestra Version)
What can you still write great about a song that has already been presented? Although you will recognize some instrumental differences compared to the first version, but they are in my view not so relevant. The orchestral version is only eight seconds longer than their origin. So that everything would actually already said.
Rating: 4/5 pyro effects
(5) Liese
Another version of "Roter Sand"? Not exactly, but something like that, at least from the instrumental leadership forth. Melody and length agree almost entirely with "Roter Sand" agreement, the issue, however, has completely changed. Instead of a duel of honor here the issues coercion and rape are taken. Quite nice, but nothing special.
Rating: 3/5 pyro effects
