"Let us enjoy the beautiful cruel game of love"

Shortly before the anniversary and the centennial episode goes Gruselkabinett with the hypnotic haunting setting of Sacher Masoch "The dead are insatiable" to the actual origins of showers romance back.
Back to the eternal dark bizarre motifs and nightmares about sexuality, desire, devotion and submission brings us this sparkling morbid novella.
At a time of the late nineteenth century in the novels and short stories, think of LeFanus "Carmilla", Polidories "The Vampire", or "The Dead Bride", "The blood Baroness" (all also set to music by Titania) the dazzling theme Fascination the erotic desire, and, consequently, the fascination of death, wavering between fear and desire to break taboos between agony and ecstasy highest sensual, the demonization of (devouring) female sexuality, fetishism Central was the focus again.
All this, Eros and Thanatos, eroticism, pain, ecstasy and doom, physical metamorphoses devotion in passionate embrace and accompanied death and decay imply the myth of the vampire, and Leopold von Sacher Masoch gave this a poetry full umheimlichsten stories.
The narrator tells of an incident in the snowy Carpathian the year 1880th
He was often a guest at the mansion of Bardossoski family.
A story making the rounds there by candlelight. The enchanted castle situated on the heights of the ancient family Tartakowska to be inhabited again.
From a painting of the then Countess and especially from a white marble statue that each is to beat them considered under its spell in silvery moon nights, is told whispering.
Manwed Weroski, the fiancé of the daughter of the house is, how incapable to curb so many young heroes of showers stories of the 19th century his curiosity.
In railway stations moon that spreads silently over the snow areas he saddles his horse and rides to the shadowy walls.
The wolves and owls howling, and with creaking sound opens an ancient servant goal.
The young man was already expected?
Manwed Weroski is several times as if driven by an iron will of another visit, the Tartakowska Castle, is like sleepwalking the flickering candle holder of stooping, follow "as coated mold" Servant, through endless corridors, suites, lined with black suits of armor in their visors hostile eyes flash and watched by sinister figures in paintings that threaten from the picture frame on the ruined carpets emerge during heavy drapes softly whisper in the wind.
Werowski is this idolatrous beautiful woman of marble are sight, will kneel before her white feet and inflamed in their lust for bondage seal his fate.
For the dead are insatiable and soon whispered the increasingly warming to life statue, "sweet like you woke in my chest, now Satisfy my tenderness".
Gruselkabinett has created one of the most impressive and fascinating radio plays the whole series here.
From the beginning, the audience enveloped us the fabulously dark Done soghaft, and so fascinating and rich in detail is the Hörpanorama that really creates a stunning sculptural cosmos in the mind's eye with this exploitation and the sounds.
As we glide in noise even with Manwed Weroski through the corridors.
Wall hangings with war scenes are almost palpable, and finally, through the fantastic orchestration, the clink of each filled with blood-red wine glass, which is passed to the lying on the sofa sensual spoiling beauty that devotional pleasure that Weroski forever for submissive servant of the essence will do.
Marc Group and his crew create truly beguiling auditory of dreams here and I'm often also critical if too much background music and effects are offered, so that is indeed extraordinary baroque and opulent but not overloaded in this radio play, and inspiring in every second on the spot.
Yes directly experimental, bizarre act some sound structures, such as when Weroski rides through the snowy forest with grotesque ice sculptures.
This radio play is truly perfect, dark poetic and memorable.
Marc Group will find an ingenious form of beguiling to transfer the arabesques neologisms of the author Sacher Masoch in comparable intricate soundscapes.
Unspeakably important is that there is always the voice of the narrator in the foreground is that you packed on the timbre of the words depends.
No one else than David Nathan in the role of the hapless Weroski would there can better shine.
His often anguished, then again sensual seductive experiences with the carved stone undead that sucks the life force of the lovers, are spoken by Nathan rousing.
It remains as a conclusion: In this radio play adaptation plugged pure magic, not quite as diabolical evil as in the radio play -Meisterwerk "Mandrake", for fairytale spun wonderful, melancholy, moody and just as dazzling abysmal.
The erotic sadomasochism variety derives from the way writers Sacher Masoch from which should still often revel in his malicious works in sensual pleasure and death noise.

"You have given me life of your life, soul of your soul and blood of your blood."