No doubt it is the beginning of a career dedicated to pleasure before any further calculation, a route of brat that does not respect anything or anyone, especially not the established order of the Phonographic intelligentsia. This does not mean doing everything and anything so far because Katerine then has a vision (a bit lost since), an idea of the song that has more to do with Pierre Baruch, especially, and click of Saravah than anything else which basically is great news.
Of Baruch, Katerine has retained an outdated aesthetic hair and a style, a bossa nova Anglicized, primarily intended to fill the listener with pleasure by bringing him a welcome ray of sunshine. There are also small brasileiro songs without rhythm, charm just as outdated, to avoid the impression of monotony that otherwise might emerge. And we appreciate the nicely staggered resumption of Indian Summer Joe Dassin, little bubble of happiness in a Champagne album where the good times abound (Ha! My Bel Andalou!).
Fun and fresh, fine and often funny, The Englishwoman Education is a pretty cake We would definitely recommend the slightest objection to the fans of Katerine, all song lovers are not taking seriously and, more generally, all those who still doubt the talent (admittedly somewhat diluted in recent years) of one of our finest troublemakers.
Katerine - guitar, bass, keyboards, percussion, backing vocals
&
Anne - vocals (1, 2, 4, 6, 10, 12, 15)
Bruno - vocals (3, 5, 7, 9, 11, 13, 14)
Loumy Sevenot - Bass (5)
Nicolas Moreau - low (8, 10, 11, 14), flute (1, 6, 10, 11)
Antony Ka (1, 3, 4, 7, 9, 10, 14), Laurent Brosseau (5) - battery
Alain Grimaud (3, 7), Zeca Lopez (9, 13), Yannick Neveu (14) - brass
Louis-Marie Sevenot (1, 2, 4, 5, 6, 9, 10, 11), Philippe Berthonneau (3, 12, 15) - String
Fantasia del Ande - flute (12)
Raphael Froment - clarinet (4, 7)
Monsieur Foursaing - piano (16)
