Megadeth distance themselves far from their usual style. There were since "The World Needs a Hero" steady an advancement which technology, depth or speed in terms of the songs. 13 is therefore a significant regression. What bothers me most with what has made quite enjoy Endgame. Namely, the countless solos. Yes the there again. Every corner of each song, which is sung is not time, replete with a solo. And yes Chris du hasts druff. But go to where you came from. Nevermore can read it as degrees without guitar. When Megadeth you've lost nothing. and why? Chris is the first soloist of Megadeth absoulut has no soul. It's always the selebe complex rumgeschrubbe. Atmosphaere was always something that always strongly tied with Megadeth. This gets the man simply can not go.
And Junior? What has actually accomplished? Even with The World Needs a Hero, he still can deliver excellent work on his bass. And now he picks up where the bassist left off. Even Shawn disappointed Ganzeer line. 90% of the album he is almost one and the same clock before. Never Dead, arguably Thrashigste song on the album, the best option would properly build up speed with the drums. Since it is not enough only with the bass drum more Bass pack added there where none is needed anymore. And Master Mustaine fails completely offensichtilich the texts. Were still used cool puns and metaphors in the last 3 albums, or you have to really ask what he meant by a few lines of text in order to understand the text at all, so that is completely missing here. Only Millennium of the Blind has such a text snippet. But well who has more than 15 years under his belt. There are also many songs part of completely different genres with installed. What indeed degrees Thrash can be a good idea, but in the case of 13 not absoulut. The songs are simply crammed with all possible means. There is no Riffwechsel leave a guess panned "Well what's next". And what happened to Dave's complex song structures? Although they are not as boring as on Endgame but only because they have been modified slightly to 13.
And I agree that there is no song over here. No Sleepwalker, no Holy Wars, no Black Friday ... and no full marks. Instead, I have here the well below average absolute ne handful of songs.
Of course, the album is not a total loss. Sudden Death rocks remain.
Black Swan, Public Enemy, Millennium of the Blind and We the People are just fat, but no more. The latter is the only completely new to the sometimes shows that you have a way with completely new ideas.
Guns Drugs and Money, Wrecker, Whose Life are instead dud. While the songs may well take a taste, but far from a good Megadeth song due above criticisms.
Although 13 is not as fast as Endgame, but most reefs are significantly harder. Since the Ampsetting but significantly less aggressive than in the previous one has the feeling that you do not get the full broadside from here. However, 13 considerably better mixed as Endgame.
The album is not bad either. I write this Renz Sion just as critical because I think it an insult if people find with 5 stars here, 13 would be on par with Rust in Peace. Or just tell the crap is simply not true.
Clear the album is not bad. It stands on it Megadeth and one gets from his certain dose Megadeth. As Dave said before about 20 partent on Rust in Peace. "Now I must scream of the overdose ...".
Such dosage no longer gets here unfortunately.
