Only now after the immense success of Queens ...

Yes, only now the debut of 98 fires really. Why is that? Simply because a) Kyuss have moved in so distant that there is to complain barely a bitter taste more and b) because of the fuss over the Queens since Megaseller "Songs for the .." total abnervt.
This produced on the Rancho de la Luna from the master himself Josh Homme in collaboration with Joe Barresi Cream Pies is, so to speak, the departure from Kyuss, because here nothing is sprawling. The glory of the monotony. The magic of compactness. Not for nothing Homme has then always something of "Robot Music" babbled. Simple riffs, but played brilliantly, ensnared by smoothen leads and the best vocal lines that has the stoner role model from Palm Desert ever written. Believe the other voices a word: This is not an evolution of Kyuss, yet a bad "Songs For The Deaf" .Kyuss are untouchable, and I do not think Homme do with his two partners from Kyuss- days Olivieri and Hernandez album wanted that ever has to endure comparisons to Kyuss. "Quuens of the sone age" is the quintessence of Queens, is without everything else not to conceive. No more, no less. Where at Qotsa everything is pimped today, cleverly structured and tracklisting good for so many evening series, this album is raw and stoner, genial and monotonous without pomp and glamor. Dry as desert dust. Not wimpy and catchy, but straigt in your face. Buy your Luschen ..