Now strikes the bell 3 ...

Since I am an avowed opponent of the mainstream, charts and Co., Coppelius is a dream band for me, as it stands in the book. Since I have all 3 previously released EP's the men Coppelii, and the debut album "Time Time" and I was able to convince me also already live on the qualities of 6 musicians (oh, that I always have to order pralen: I'm so proud * g *) I can be missed by no means naturally their latest, "tumult" titled Ohrenschmaus on kar.

"Time period" came to me then as a redeeming stroke. "On something I've been waiting," I thought. In the charts, for which I am after the early daycare anyway not interested, the same stuff from umpteen different bands was playing up and down repeatedly. Cover versions, sampling and brazen plagiarism served the average crowd and "oh so cool youth". Also Coppelius himself seem today to be one of the musical circumstances more than shocked at what they bring in the self-deprecating "composition" expressed. If I there needs to read that the magazine "Metal Hammer" 3 points subtracting, because they think that no shadow of her should be even just a young band, but give Kreator full marks even though this just for the umpteenth time rausbringen the same album, I can only shake my head (which can be exerted by the way also to the other prima Kompsitionen this Silberling). In addition, the image of the band is very special, not miserable Matscho- and rednecks posturing, as found today in the Hip-Hopszene to Hauf. Rather, enter the men Coppelii politely vornhem while cheeky with this certain charm and wit, but they come from the vergangegen centuries. Musically and Instrumental Coppelius is anyway by far the best that I have for a long time belong. And fortunately is the now second to none their second regular album. Already alone with the "Preface" and "Epilogue" and the a cappella piece "moonlight" leads you continue the traditions of the debut. Only Veränderungenen will take the values ​​Auditorium true, are the missing instrumental piece, and that, consequently, virtually all the pieces are now in German, also the compositions fall all made a little shorter, but mentioned a total of 15 songs (including "Preface" and "Epilogue") do not like particularly striking. Who "Time-time" loves, is worship "turmoil". And for the "newcomers" among us: Who hates mainstream and is looking for something new and freaky, for Coppelius is THE band. You will consistently continue with this Silberling its success story, without thereby imitating itself.

1. "Foreword": as an intro to the new album is us already as in the debut a quote from the venerable ETA Hoffmann's front. I believe that an evaluation is not appropriate here, although such intro perfectly fits Coppelius. - / 5

2. "greed": This first real song that you have probably given us metal lastigste piece, which is so far in the Reportoire the band. Nevertheless, "greed" quasi a sampling, because by the oblique and emotional vocals paired with a highly distorted clarinet solo everything is united, what makes the 6 men. 5/5

3. "Rightful King": The only drawback to this song is not available in one of the two guests. About the guest appearance B.Deutungs I am of course, a cello more can not hurt. But the voice of Eric Fish's fits in my opinion, not so very different to our own but by Subway To Sally Sound. Overall, however, still managed. 4/5

4. "To you": "To you" is a piece where I had to make friends only. After I had, however, also examined the ingenious text more closely, and I got used to the rather groovy tunes, was "to you" a real firecracker. 5/5

5. "composition": getting used to is probably the piece that follows the well completely wrong expression. "Operation" from "time period" was for me anyway one of the best pieces, and that "composition" which does not deviate particularly, it I'm just already received. And alone is this idea, I find great. 5/5

6. "The lawyer": Also this composition develops after repeated listening. Highlight is definitely the cross ingenious text and the chorus; are more likely to listen lighter tones up, it gets harder and harder over time with einingen Headbang qualities. 5/5

7. "Beautiful Eyes": The already known forever "Beautiful Eyes" is actually another sampling which have Coppelius now finally immortalized on a plate. Live since Anfagstagen heard the song anyway at fixed setlist, which I also already could convince * g *. 5/5

8. "The Bell": "The Bell" represents the first peaceful and halfway ballad piece in "turmoil" is together with the empathetic voice of the faithful butler Bastille he shows us not only (as it was in the "instinct") that he was very. loud and rather high can growls, but he goes to the lovely pieces. 5/5

9. "moonlight": In my opinion there is "moonlight" not as perfect as it was immortalized "Absinthe". However, doing that the album no great downturn because Song No. 9 with its 0:36 is a rather short composition. 2/5

10. "Coppelia", "Coppelia" musically and lyrically reminds me very strongly of "Olimpia". However, with the deduction that "Olimpia" was more than 7 minutes, but this time present only just under 4 minutes. The level of (I call now times predecessor) will not be achieved completely even with a shorter season. But in principle, I'd rather have 15 good songs and shorter than 8 long bad. So take it with the shorter season than criticism not so serious, the deciding factor was not just reached level. 4/5

11. "Lilienthal": When I first heard the curious cutout to "Lilienthal" on the band's homepage, I just knew that this would be my personal milestone. And so it is: "Lilienthal" is the best song at a short distance of the entire album. Thematically perfect, musically ingenious implemented. 6/5

12. "Charlotte The Harlot": After "Phantom Of The Opera" and "Murders In The Rue Morgue" now follows with "Charlotte The Harlot" the 3rd Iron Maiden cover. As always makes the song was rearranged and mood of the men so that the song gets lent his brand new charm. 4/5

13. "The Amulet": "The Amulet" is a little more than 2 minutes, unfortunately again a shorter piece, but consistently at a high level, so I can give with a clear conscience the full Punktzzahl. 5/5

14. "too much": This song is characterized by its good verses, but the chorus can not connect there. However, the written text and the clarinet solo are a Horenschmaus again. 4/5

15. "Spring Yet": The last regular piece is a rather slow and driving piece. The chorus and once again the solo part in my opinion the best ever brought forth this band. 5/5

16. "Poem": A perfect end to a "commotion". Finally, again pretty fast, although it thematically goes toward love. The voice Max Coppella's shows here once again, what it represents. 5/5

17. "Epilogue": For the "Afterword" applies exactly the same as for entry to such a band easy fit it into the frame. - / 5

Overall, it exceeds this work the "early works" as well as "time period". Since I have given two previous albums respectively 5 star, is probably clear that "turmoil" has reached its full Punktzzahl deserves.

Coppelius help !!!