With great fascination I enjoy every time anew, as do the guys at interplanar to stage alarm situations on board the Delta series entirely without the use of a standing above all the narrator with such intensity and dynamics. So some radio play script writers can learn a corresponding disc of this procedure.
The latest adventure starts complete without the eponymous protagonist of the series, let alone its team. Thus, one encounters as a listener completely new people. Who also fears that a crucial moment without missing Mark Brandis, who has made his statement without the new spokesman crew that turns out to be at least equivalent to existing permanent staff.
This would of course successfully command aboard the Delta IX, Frank Glaubrecht in the role of Ernest D. Scott, who makes a Mark Brandis almost completely forgotten in conjunction with Mark Bremer as Captain Gottwald. In the further course especially the two Lieutenants McIntosh (Sven Hasper) and Maddox know (Tobias Kluckert) to play in the center. The two slip into both human and believable character roles and breathe this thanks to many years of experience with ease life a.
A name like Simon Hunter seems almost a bit wasted in the rather small role of Sgt. Sini. But one should just make this not only the role of peripheral fixed, but rather to the challenge posed by such. Sini, which over time increasingly lapses one room Koller here is an imprinted thanks hunter game at least as a strongly.
Some might complain that occurred in this first part is not quite as much as in the very first Brandis adventures. But that does not bother if only because they savored the scenery really perfect. And for this to work, it needs simply a slowly but steadily escalating voltage curve. The disturbances at the very beginning ensure a first peak differs after the crash of an enormous oppressive situation on the Uranus-Moon, but which is constantly interrupted by scene changes back to earth. At first the Delta IX crew is still in reasonably relaxed mood. On the edge interspersed private dialogues do not just loosening, but bring a the characters also bit by bit.
Unfortunately, the initial uncertainty is resolved too early for the cause of various disorders for my taste a lot. That one this better something had delayed in favor of the voltage potential, but is ultimately the only weak point of this radio play.
Of course, the situation escalates, more and more, wonderfully supported by the performances of the speakers. But the cold, unpleasant noise (only the disturbed radio communications) wears her Rest of help that one always runs cold down the back. The content to link all additionally with the pre-read by the onboard computer audio book is an outstanding idea.
The music has an equally large share of the great success of this radio drama production. Part suggests this is a grand and imposing, but sometimes it is also discreetly shifted to the background, where it looks more subtle in the ear canals of the listener.
Conclusion: As strange as it may sound at first: Mark Brandis is even without Mark Brandis an absolute delight. The strong end of this first part makes damn fancy the second, even if apparently already tried so much seems clear. But I believe in not currently ...