I loved Sarah's first and second album a little. In "Green Eyed Soul" I miss a better song choice; they are mostly just only produced for a comeback album and thus lyrically melodic relatively undemanding. Here's how even with "Unbelievable" and not a real vocal volume up, on the contrary, it seems limited. They, too, seemed to have never found their style ... last was finally "Key to My Soul" a giant leap of faith. She has also contributed through the help of guest stars like TQ, Naturally 7 and Natural and also through its own work on lyrics and melody to the fact that this album is very melodic and very potential pregnant. The songs no longer missing the love and depth; they act lovingly produced and each song has its positive as well as negative sides. Nevertheless, there are a few songs that I would completely ignore; last finally everyone has their peculiarities and just exist here to discover sufficiently. A song is stuck in my depend particularly in the ear and also still me umschwirt as catchy, is "When Two Become One". There are rarely ausdurcksstarke ballads, which are recited by a strong and soft voice. But that is precisely the case here, and that makes it my favorite in the whole album. Also, if the melody is strongly reminiscent of "Skin on Skin", I like it anyway very very good. More Favos would of course "Love is color-blind" and "Every Moment Of My Life" and "Music is the Key". Also all Interludes I feel not always as bad, on the contrary. You get such a small prelude delivered, can empathize with the song and also this "At the Station" has its appeal, considering the authenticity of the piece. So you get smaller insight into the life of the artist and that is surely for the evaluation of the personality of the album never be bad. Songs that have found no insight into my head are "For the People" and "My Intutiation"; The former acts just like a lifeless ballad; Simply ripples just so in front of me and soon more than annoying than listening. The second option I like neither of her speech Parts forth even from the melody. She's too strong to bass loaded. Overall, however, remains to say that I would count with this album for a very good album. Here lacks neither depth nor love and the expression of the singer, that it is a very personal album, I find very right. With every note is clear how to find the key to Sarah's soul. A very pleasant interesting album, which I would put each at least as much to the heart first audition.