Pretty musicality - but Eccard inappropriate

With all due respect to the musicality and professionalism of the Norddeutscher Kammerchor opposite 'The joy of a unique composition of Eccard compositions, rarely find which undeservedly a way to phonograms' from Christmas Strandard of' Übers Gebirg Maria goes' apart unfortunately 'was disappointed. Had there been Clips, it would be my turn did not come to buy the CD.
Yes, it all sounds very pleasing, dance and energetic harmony 'only Eccard is thus not just meet. His sacred choral works live from the depths of religious spectacle. The consistently brisk tempos and applied to all pieces prancing-Light can only weakly give an idea of ​​just how much potential lies in the musical creativity Eccard. Many of his choral pieces 'life' of turns that can be read on the content and textual design and waiting to be mapped worn with all suspense and mysterious forebodings and 'joyful ecstatic Resting awareness' tonal and vocally. Each piece is a story in itself, it deserved to be treated with undivided devotion and interpretation power. Too bad everything is strung on a chain and differenzierungslos 'gone through' in a style. Pretty flat, but a resonance does not solve these Eccardsche interpretation from me.
Perhaps one reason for this is the 'youth' of the artist. With increasingly own religious maturation also here would be the potential of a more profound perception and musical reflection of the spiritual creation Eccard.