Profound Klangkino

Profound Klangkino

Every Day (Audio CD)

Customer Review

The Cinematic Orchestra makes loungy, relaxing music, creates atmospheric songs between six to eleven minutes long and rises soundscape and moods that can put the listener in the music, the comforting maxim that seems to float over the entire plate. Skillfully and homogeneous leaves Jason Swinscoe, the man behind the Cinematic Orchestra, Jazz, Lounge and the DJ craft polyphonic soundscapes and compositions that stand out pleasantly from the lounge and chillout pabulum coalesce. Sometimes minimalist, sometimes complex, sometimes relaxed, sometimes melancholic and sometimes confusing as urban life itself, a game like light and shadow. "Every Day is dark and A Little Twisted ..." as Gilles Peterson aptly in the liner notes.
The first highlight of the disc is the opener "All That You Give", the soul singer Fontella Bass verlieht the soul. Also "Man with the Movie Camera" white with a perfect blend of jazz instrumentation (saxophone and rhythm section), sampling and electronic sounds entrain. Dark beginning it's like walking through dimly lit streets, the drums constitute the cycle of step until you then slowly immersed in the hectic and colorful life of a city, improvised acting saxophone playing and supportive percussion then merge into a quieter song Passage which is supported by wider but quiet saxophone tones and piano music on to subsequently increase the pace again and the next to race venue.
Similarly, atmospheric, interesting and yet relaxing it goes up to the rest of the plate. In "All Things to All Men", the audiences for 11 minutes Roots Manuva, telling of his life, listen to sounds on a slow 4/4 time and wide Piano and saxophone.
In "Flite" trumps drummer Luke Flowers fully on and raging his talent on samples and homogeneous twined electronics. The last song and 10 minute title track "Everyday" is actually dark and is of a melancholy depth not found in the rest of the songs , Bassgezupfe that the whole song interwoven that initiates at a piano similar Moogspiel by John Ellis and as the song spins an ever-deepening tunnel through the hearing. Alienated voice samples that are reminiscent of the vocals by primitive peoples and choral passages that act as if they had slipped from a distance in the song. A wonderfully profound conclusion of a consistently voiced plate.
The fusion of electronic handicrafts, DJ crafts, jazz instrumentation and atmospheric lounge elements in conjunction with the vocal features of Fontella Bass and Roots Manuva work and everything seems to serve only the depth and atmosphere of the world of sound.
Large Klangkino!