The first makes the produced by Drumma Boy "Finally Here", which includes samples of Timbaland's "Bounce". Although the song rather slower, but is held with a lot of bass is all damn pompous over va through this mystical choral singing all the time in the background and the sung chorus. If that's as an entry to "lame" was the now should take good care because along with Nelly Furtado throws us Flo Rida now "Jump" front of the bib. A faster beat the Miami Bass style with many electrical decorations, brings sure every dancefloor to burn. Likewise party moderate it comes with "Gotta Get It (Dancer)" further, which contains a kind of freestyle / Breakdance Beat with electric voices in the chorus brings across the right dance feeling. Flo Rida's fast Rhymes perfect skin out about the song, by the way, includes samples of Tina Turner's "Private Dancer". As a welcome change is followed by the second single "Shone" along with former Pretty Ricky member Pleasure P. Jim Jonsin, Dre & Vidal have here really conjured a powerful beat, which is backed by various melodic elements and partial Synthes, while Flo Rida and a well DOMICILED Pleasure P with its unique characteristic union voice fit together so well as fries and ketchup * g *. Blow by blow you continue with the 1st single "Right Round" with Ke $ ha, this is at the same time his second # 1 hit, not for nothing is running even with us in good old Germany the part with a lot of airplay already in the radio , Dr. Luke and Timbaland have here, "You Spin Me Round (Like a Record)" by Dead or Alive made a good "cover" the Flo Rida and Ke $ ha implement with a lot of power. In addition, the song has uniquely catchy. The title track "ROOTS" knows perfectly convincing, as collabo "Be On You" with Ne-Yo, at the producer Stargate works with many Synthe influences and Ne-Yo just does a wonderful job in terms of the chorus. Produced by J Rock "Mind on My Money" goes from pretty good, whereas "avaiable" with Akon and Will.I.Am is more of a hangover. Will.I.Am's funky acting Beat do not like it so really, since Flo Rida and Akon can not save all that much with good performances on the mic. In "Touch Me" is now Ke $ ha, we made "Right Round" already well known back at the start. However these, produced by Timbaland song seems a bit trendy and sometimes quite oblique. A real hammer is now following with the produced by Danja "Never," which includes vocals backround of Keri Hilson. The song is very thoughtfully by the great melody combination, gets through the brutal beat but a certain contrast opposite. Now it is funny, even very funny. Who among us does not know yet the 1999's smash hit "Blue (Da Ba Dee) by Eiffel 65 and exactly this DJ Montay has nabbed as a template for the 3rd single from the album" to take Sugar "in the fingers. Of course, it comes once again very fast-paced as already accustomed to the point of beginning of the album, and even the "Da Ba Dee" calls have been incorporated into the refrain - for one may be a joke of the whole song, just stylish for the other - decides Den. concluding "ROOTS" forms the song "Rewind" with Wyclef Jean. Here meets a smoother Beat on a sea of strings and beautiful piano melodies, which the two consummate perfection.
Well after the first listen of "Roots" you sit a bit with mixed feelings because, as some sounds different va 5 uptempo songs with many electronic influences, which one is not accustomed to Flo Rida so sure or would have expected. Can you make friends with these but all and it is likely seen by the variety her here any black music listeners on the album something for his taste - some more, some less. Overall, I found "Mail on Sunday" a bit better than "ROOTS" but I forgive this also 4 stars, because as already mentioned, you can not compare the two as quite another.
PeAcE