Threads are a difficult topic here (yeah, that should be a kind of wordplay). The track "Silver" seems the main reason for "The Lone Ranger" to be, but it is not self-composition of rooms, but a new arrangement of "After The Battle Of Aughrim", but nevertheless sounds very nice and the mood of the film well captures.
Otherwise room focuses more on atmosphere, how to "Man In A Mask You're Just A" noted in "You've Looked Better" or. In "Ride" sounds a clear quote to Morricone, when start the electric guitars and "Red's Theater of the Absurd" is a lively folk track, like "Two Hornpipes" from "Pirates of the Caribbean - Dead Man's Chest".
The highlight is definitely the magnificent and nine-minute "Finale", the famous "William Tell Overture-" incorporated into the room in his music. A wonderful Action Track, who worked already in terrific movie! Here you realize the great weakness of the scores: Through this energy-loaded track the rest of the music is a little lame. Here collide two worlds collide, "Finale" is a grandiose piece and works perfectly in the film, but in comparison are the other pieces somehow, even if the action pieces "The Railroad Waits For No One" and "For God And For Country" not bad are.
In addition, "The Lone Ranger" sounds sometimes very strongly of "Sherlock Holmes", nciht to right, but the instrumentation is very identical. Furthermore, it has, in effect, only 50 minutes of music, here quantitatively more could have been in there.
Conclusion: In spite of the criticism is "The Lone Ranger" a beautiful album that you can listen to often several times, the action is great, the atmosphere is right and the track "Finale" will remain for a long time in my MP3 player!