Indeed, it is striking that the song starring in this album. The instruments accompany only. Here are mainly speak the words and not the sounds. This latter assist in transporting the atmosphere, act like the rope, on the balancing of the singer.
In the intro, the instruments have their grand entrance, pretending at the beginning of each song, the direction of -. For example in "Wild Things," at last to enjoy the desire the life or thoughtfulness in the seventh song "Pretty Girls", in where it comes to how much we do but sometimes, just to please others. Drums and guitar go here under the skin and when the voice of Henrik Roger matters worse, one flows as a listener then in sympathy. After occupying, tormenting, thoughtful songs, ends this emotional album with a title that appears only depressed, but then turns suddenly and spread hope "! Stop singing songs of depression" (Quote) - "The Sound of '67" is the highlight of this record for me.
Ghost of Tom Joad speak with "Black music" the emotional side of their listeners - and that in an inimitable way. Too bad that no longer such aggressive guitar solos can be heard only, as in the song "Just a dog".
(Text: KR)