Registered (as the name does not completely lindique) at the Pavillon de Paris November 29, 1979, PARIS is one of the legendary double-live of its time, cherished by all rock fans in the late 70. It shows a group then on the rise and in full possession of his (and the wind more than in stern), which allows it to reverse crowds (stunned) by whole wagons and turn every concert into a real tour de force, doubled in a genuine communion with the public. Powerful. This is the word! A help of a huge sound, the band played to the letter all the classic (lintégrale CRIME OF THE CENTURY, except a song!) In blazing versions accuracy, demonstrating if need dinstrumentistes the immense capacities of its members (Bob gigantic Siebenberg ) and sapprochant so close to the original versions that sometimes bluffing sen (the hits BREAKFAST IN AMERICA, RUDY, A SOAPBOX OPERA). Besides its magical interventions to wind instruments, John Helliwell made its ringmaster (in French, please!) And brings the hand of a jovial often considered too clinical performance, but, frankly, leaves you speechless facing so concisely and in Assisi mastery of a repertoire. Tops: SCHOOL, BLOODY WELL RIGHT, FOOL'S OVERTURE, YOU STARTED LAUGHING, A SOAPBOX OPERA, FROM NOW ON
