Thank you Mrs.

Today, one might ask: who still sing a melody without adding: simply place its voice notes and convey the right emotion?
If we remove from the list of French singers who articulate the Obispo, like "I t'zaime" those who make tons as Julie Zenatti and those who feel compelled to grow fifteen notes before arriving to the right, it remains larger world.
Hungry simplicity, and now Tina Arena this album takes us to absolute perfection.
One can always criticize his accent, but never its interpretation. All is fair without excess, raw crude, with emotion where you need it.
No meowing cat in heat, no desperate groan, or distress message.
Chaste and effective, this voice that seems ordinary does what she wants, and we embarked on what she says she touches us deep inside, because it is a rough diamond in the service of the text and melody (and not the opposite, as seems to think the majority of her peers).
Tina Arena hit us with a first album with a second a bit "messy" but containing the masterpiece "Symphony of Life", and there, with the third, sorry ladies of the French song, but it ' is a lesson she gives you ...
If you still hesitate to buy it, you skip track 3: "My name is Baghdad," and 10: "Change": chicken flesh guarantee!
All the songs of this album cling except perhaps 5, we could have left to Jenifer, and never tires of this natural tone of voice, and these beautiful tailored compositions.
It must be fifteen times I listen, but no problem, I'll iron it a sixteenth. What happiness!
Thank you very much Madam, and hats.