"Leichenfledderei" is accused of this album, and with eye rubbing you have read in some reviews that the true Falco fan on this board well could have done without. It wonders who is to be criticized with the scandalous word - the record label, the producer or the quality of the music? I'm concerned, one might call it wonâ €, but in this case I will make them like me like. After all, the songs on this album are so lonely peak and is undoubtedly one of the crème of Falco's work - whether Falco has now been publishing for value or not. The true Falco-fan can not do without on this album, but it will boast all the more as the posthumous proof of Falco's musical versatility and creative size. Why only these beads are gathering dust in the archive? Some of the songs I count to Falco's greatest achievements: "Damn, we are still alive", "Queen of Eschnapur", "Poison" (this song would definitely not be missing in the "Wiener Blut" album!) And last but not least "Europa" (yes, na euphoric homage to the proud, old lady and? I think she deserves it next meet all European criticism! And does not this song Falco's virtuosity when he succeeds in such an enthusiastic hymn?). The finish of the tracks is derived not from Falco self - alienated or not his style according But they sound not all. Some hanger's even (after "Ecce Machina" falls significantly from the album), but which are forgiven over the brilliance of the rest. Overall: a worthy heritage of brilliant music! Excellent!