The musical statements of the massacre!

Also Vol. 2 has a fabulous and special soundtrack, as Vol. 1 Cool, dynamic, melancholic and very pompous second disc goes for revenge epic into the race.
However, the sound is quite different from the first CD. The sound is less freaked out because Tarantino sat this time more emphasis on the quiet narration. The Sound and the music for "Kill Bill Vol. 2".

After grand opening monologue of Uma Thurman starts the soundtrack with the smart "Goodnight Moon", the film would have a James Bond may originate. This is followed by a Morriconetitel, the calm and dreamy "Il Tramonto" from "The Good, The Bad And The Ugly". With "CanŽt Hardly Stand It" Tarantino served again an iconic country songs, which is played in the bar scene with Budd. A typical, cool song, as we know from the Quentin.
With "Tu Mira" to do it right mexiaknisch to the point, with a childlike voice front. "Summertime Killer" is pretty sleek back as "The Green Hornet" in Vol. 1, with a lot of guitar and drums use. This sound carries over into the next track "The Chase", a brief but effective track. Then again has a Dialogsquenz saying: "The Legend Of Pei Mei" in the Bill (David Carradine) Beatrix tells the legend of Pei Mei. Very nice, in between the flute sounds.
Now comes one of the highlights of the CD: "L 'Arena'. The play, which is played when Beatrix escapes from the coffin. A typical, but elegant and epic Morriconetitel whose music perfectly accompanies the scene here!
But with "A Silhouette Of Doom" Morricone is at the wheel again and presented us the dismal opening sequence of vol. 2, which is more dramatic in other Varlauf. Here Uma Thurman says it her monologue on (Title 1).
"Truly and Utterly Bill" is another great dialogue scene with Uma Thurman and David Carradine.
Another jewel is definitely the tango like "Malaguena Salerosa", a wonderful final sequence music, be in again presented and shown all the characters of "Kill Bill", fabulous!
Finally, the quiet "Urami Bushi", which can also be heard in the end credits and is nicely finish off the soundtrack and "Kill Bill" as a total film sounds.

But also in Vol. 2, there is a track that I've missed painful and although the beautiful "Sunny Road To Salina" by Bernard Girard Christopher, which dubbed the scene, marching in the Beatrix through the desert and the arrival of Elle in Budd observed a thrilling scene that would draufgemusst absolutely still on this disc ...

But in the end Tarantino presents all important pieces of his film on this soundtrack and processed so that "Kill Bill" a dignified and musically impressive end. While Vol. 2 is not a typical Tarantinopllatte as "Pulp Fiction", which I find but not bad, because "Kill Bill" in an entirely different direction goes and this creates the soundtrack also great!