The other Hans Zimmer

Hanz room is a phenomenon. Whenever he has dozens of rooms-typical, wummernd, thundering Pompös scores, sometimes good, sometimes bad, delivered, follows and a completely different type of piece of music, for example Muppets Treasure Iceland or Black Hawk Down. In just such a copy is in the soundtrack to Sherlock Holmes.
Originally, rumors had been used for the film pieces, had composed the rooms for The Dark Knight - and if so, you can be thankful that Guy Ritchie rooms beautragte what "Independent" to compose.

About the peculiarities of the related instruments already other reviewers have lost enough worthy words of what but doubly special about the room work here the same, is that they are not only different from the "typical room", but that they, and this is probably centrally at a film music to the specificity of under painted film fits. The film shows a different kind of Sherlock Holmes, but without completely forgetting or betraying to the roots. The music, (supposedly) to match the time shown, but it is just as fast-paced and charged equal to the modern interpretation, emphasizes this effect.
Rightly so the score was nominated to the Oscar.

Coinciding with "discombobulate" heard the actual main theme, which produces this effect and what everyone who has seen the film, should ensconced at the latest when the credits in his ear. Each track is heard, and in the last two titles, especially "Pychological Recovery ... 6 months" has virtually the film musical in small format where give in a tour-de-force all threads shake hands.

It would be downright ironic if Rooms, nominated again for "Inception", with one of his classical compositions an Oscar wins (although Inception is also well done), while this "anomaly" empty-handed.
Here Drivers who do not want to get to know "the other" room the blockbuster Hans, but the one who has a very good opportunity - and get a really good soundtrack.