This theme is clearly more sulfur but in our times of selective Puritanism, where almost all the passions are allowed except this one, he is happy to see a tempered novel in the ink of the scandal, the fictional standpoint excluding any moral consideration. Looks, games, disguises and all the mimicry of curious nymphet; this world of symbols still bathed in innocence akin to a theatrical rehearsal which features all the seductive potential before the decisive act. It seems that every woman, regardless of age, eroticism is part of her blood. François is a victim of these suggested erotic representations. It focuses on the sweet child and draws a worthwhile and great bitterness for any woman. François advance and retreat, he does not know if it's too big with big bad wolf paws or is a victim of mischievous games of his granddaughter. In any case it does not lead the dance despite appearances. In this realm of innocence, the little girl is sovereign and eternal damned man. And thus, by one of the most symbolic event that the game will run to the disease.
This kind of passionate love is so rare in our literature that I can not be too severe in my scoring. Would that not to disappoint too small ... Guillemette often been compared to The red apple Nabokov's Lolita. Nabokov's prose is still more powerful in his images to be more and more sultry in its aims. Probably a necessity to justify what seems indefensible but that appears often irresistible. On the same theme: Minor Queffelec. Pink candy Jones Gorlin. Senilita Svevo. Confirmation Segre and about all the writings of Matzneff.
