Something like one imagines the soundtrack for the perfect trip to Paris before: as the music of my previously unknown jazz musician Yann Tiersen. With just a few bars, we close our eyes and see us to the heart of the Montmartre again. The feathery, mostly cheerful compositions will leave us henceforth never to catchy they are. And when they do, what should provide the best soundtracks: You keep the memory of a wonderful theater experience not only awake, but actually alive. As Paul Thomas Anderson and Aimee Mann did in "Magnolia" go in "Amélie" music and film an irrevocable and absolutely necessary connection a - even though it almost exclusively concerns Instrumentalstrücke in this case. Grandiose!