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Pauline writes ...
For Pauline can not allow the love of John after having been able to express the inexpressible of its past. Without the word can still writing and notebooks will share the burden of buried secretly hidden pain.
A self-surrender to the risk of being rejected again, as a repetition.
For the young woman lived in prison and paid a crime of passion. The confession, cornerstone of reconstruction to a happy life, is it possible?
"For the second time, I find myself in the same situation: having to tell the truth about my past to a man who wants to marry me."

Pauline wrote therefore, under the sensitive and subtle pen of Jean-Luc Rye, and both offer us a faceted portrait of a woman, a frightened woman, laid bare, dissected alive by a dependent trial, an ambiguous and sincere woman in the generosity of his personal narrative.
Picking his way is a criminal after the war, the author tries to soften the collective weight indictment. He runs his lyrically about, but without affectation. The narrative partition is loaded silence and solemnity to say and heard the emotional charge of a family suffering, indignity paternal handling, and yearning for love and recognition of a young girl. Facts extirpate the various feelings of dread player, compassion, revolt and collective shame.
Jean-Luc has this magic gift of knowing how to express complex feelings with great simplicity, a moving sensitivity. It imposes the horror of the facts with dignity. We are talking about children, the complexity of family relationships, pain of prison confinement, the beauty of love, loneliness, rejection and the pain of having to live.