Very typical Underworld and somehow reinvented

The nice thing about Underworld is that they can be put into any category. You dive behind any trends and have long ceased to be a pioneer in questions or Techno Progressive House. They are simply Karl Hyde and Rick Smith and also by more than 30 years of musical history still own new ideas that inspire.
With Barking they have again delivered a stunning, perfectly produced electronic music works. They are after your excursions in Ambient and Experimental time very melodic, yet profound. Never before on a Underworld album so many potential candidates for singles. Besides Scribble, Always Loved A Film and designate next Online Single Bird 1 and Between Stars and co-produced by Paul van Dyk Diamond Jigsaw would (on which it almost like in their days as Freur mid-80 sound) potential hit. Although not a high flyer like Beautiful burnout from the last album of this is would all aforementioned titles can be chart hits, they would publish only as MCDs. Underworld and her record label Cooking Vinyl afford the luxury to give up such a promotion of the album. According poorly Barking is sometimes placed in Europe again in the album charts. A pity and also a shame that you did not take out with D.Ramirez and Mark Knight jointly written dancefloor bangers downpipe. As a consolation, Underworld plays this pearl at least in their current sets.
Mention must also be the final piece of Louisiana, this sounds like a throwback to the late Talk Talk or its head Mark Hollis. Beautifully and so totally unexpected. For me, after about 20 times for the best piece of Barking.