Kunze picks up where he left off on his debut: the unsparing description of social ills. Unfortunately, he succeeds not in all the songs as excellent as on the debut. Some texts seem to me much more superficial and half-baked as you would expect from HRK ("keep coming back", "No response", "disagree" and "President"). Nevertheless, even these relative weaknesses surpass the German rock-average as the Mont Blanc a dunghill. But next Kunze delivers six masterpieces that can also convince musically. "Follow me further" describes a walk through a lunatic asylum. We visit the excesses of an era. Absolutely brilliant is the "nursery rhyme". Kunze can still clearly remember that childhood was not always pretty. As he has just this empathy preserved in a child's soul? "Rain in Berlin" is one of his most beautiful ballads. "The Ultimatum" tells of a man who consistently says goodbye to the world, after the world wanted a week to know nothing of him. And "at half past two" is not only the first real rockers Kunze, but also leads us perversions ago, the people no longer hide from a specific alcohol and fatigue levels. Predicate of violent intransigence!
