This is quite a good album. But it's also the first album where Udo got trouble reaching the higher notes without "Gequetsche" and "Gepresse". Probably Udo had his voice a little too strained by tough tours incl. Drinking and smoking and in the next few years she was always deep, and he preferred to stay in the lower registers. And if he yet again wanted to sing higher, he had to press more and more. This development is on this album only in its beginnings recognized, but it manifests itself in some songs already. And some of the elements are already no longer as strong as on the previous albums.