Jaenada therefore presents Sulak, a biography without being one that begins in a rather messy, since it runs parallel to the debut of several characters who will then have their importance in the story. This Sulak, it fascinates: it's a pretty boy, clever but not wise, whose ideas in the background does not really call for debate; the kind of gangster morality we are trying to sell us the cinema has existed.
From the pen of the author exploits the one follows from that become public enemy number one shortly after Mesrine, who could boast of having never injured anyone during his many burglaries! Its great moments in his tragic downfall (literally and figuratively), Sulak dream reminds France of the years 70-80 with just enough nostalgia to make us want to be part of the band. The story ends with an uncertainty which surrounded the death of Sulak, and the certainty of having lost a bandit like we have done more.
So long, Bruno.