This album of "times" is really very normal, instead. First the link between Veronica and Michael, which goes beyond their love life and is a musical symbiosis. Secondly, because (despite some caveats on production) emotion is still more vivid and true in public. And finally, most importantly, that the pace of times, provided qu'lles be honest (which does not mean necessarily faithful), are quite "normal" when the artist died. According to you, we could never, therefore, interpret Brassens, Brel, Mozart or Beethoven? What bigotry - not to resume "moron" another comment ...
