Undeniably, it has not the power of his following work. We find this style in appearance but nimble enough basically pulp, with very illustrative comparisons, winks to readers and a constant irony because Winslow is smart and knows that he must not take too seriously. In fact, to my surprise, "Drowning in the Desert" is funny. Very funny. So much that is frankly in the comedy. Neal Carey is responsible for protecting an old Jewish comic, witnessing a scam to insurance. The old man has a stubborn and crafty doting model, a machine gun valves typically in line with the stand up to the US (personally, I visualize Jerry Stiller, Ben's father). The other characters are not left out, between German swindler psychopath strong accent, his shabby man of awkward hand, a couple of lawyers or bumps into a luxury hen on the back: it's going in all directions, between good words, misunderstandings and grotesque accents and no time to get bored. It's still quite unsettling when you know the result of Winslow's career, as if Ellroy wrote an episode of "Seinfeld", but quite tasty. A little less than a very good thriller, a little more than a curiosity.