Since it is now. The album of Yes in a new cast. This time with the South African film composer Trevor Rabin instead of Steve Howe on guitar. Tony Kaye is on keyboards again, who has already participated in the first three albums Yes. Unfortunately it must be said right away that he has the keyboard play probably a little forgotten .. What was not bad he made earlier on the organ, even if there is no comparison to Rick Wakeman. But that is not the issue here. Because Yes have changed their style on this album. Way from the 70's mammoth sound, towards more pop-oriented music. While it may sometimes even progressive rock, but the album is not to be evaluated as such here. But enough of the long speech. To Album: It starts with the most famous and successful Yes song ("What are you listening to grade?" - "Yes." - "Yes, I do not know" - "Owner Of A Lonely Heart Much Better Then -. A" - "Oh, but, of course! ") This, however, is not to say that it is a poor-quality song. The track is already done quite well. The famous guitar riffs at the beginning and the very simple bass figure make the song unique. The (synth?) - At the beginning effects are very well done. "Hold On" is a quieter track that does not want to fully convince me despite Trevor Rabin solid guitar work. "It Can Happen" brings very good vocals by Jon Anderson (The has forgotten nothing, his voice is still incomparably good. Although the sounds not as artistic, as on previous albums, but reached no "annoying heights") and minimalist keyboard scatterings that give the song a certain atmosphere. "Changes" is probably the first true progressive track on the album. It starts with chopped keyboard rhythms. Followed by a very sensitively played electric guitar and calm vocals of Trevor Rabin. One of the most atmospheric titles of 90125th In "Cinema" is an instrumental live tracks, which is probably to be a small part of a much longer, but not the released and song. (Although on Trevor Rabin 90124 other parts of the songs should be published.) Well the bombastic track on the album. And what a! there'sa lot of "Drive" in Trevor Rabin's guitar in it! Then follows with "Leave It" a rather inferior title. The song initially was not successful in my opinion somewhat. Mag While stuck ne nice idea, but seems more immature. "Our Song" starts with a small keyboard / guitar duel. Then follows a little piano, a rousing rhythm and very atmospheric Jon Anderson singing. Unfortunately, the chorus is a total failure, in contrast to the brilliant stanzas. Too Bad. From the song could be what. "City Of Love" starts with some bass, a guitar riff from developing. A good title, but not much more than that. "Hearts" begins with a simple keyboard motif on which the track builds up slowly. With 7:34 minutes the longest song on the album and also one of the best.
