Or we discover how difficult interpreting Vivaldi

Vivaldi and the violin, it is almost a story in itself. The instrument allows the most famous prowess and virtuosity, to name but a few, the famous solos Four season for example.
The amateur therefore expects the violin concertos something close to excellence that interpreting Vivaldi presence of conjugates between soloist and balance with the orchestra, but also that rare ability to play contrasts between dark largo, and Next measure the most playful allegro.
Alas, even if the first five cd recordings of Vivaldi's violin concertos by Naïve, has certain attractions, Enrico Onofri the violin and the head of the Academia Montis regalis, fails hoped this balance.
There are success stories such as the second allegro of RV 332 (track 6) or the opening allegro RV 199 where the solo violin comes not impose exaggerated.
In counterpoint too many pieces of the violin where the game is too far, almost too incisive, somehow "off" even if virtuosity is undeniable (eg widened RV 234).
In conclusion recordings friendly but distant enough anyway the quality appeared in later concertos among those naiven or reference, or Carmignola Biondi.