A distinctive proves its uniqueness

It's been very interesting to see how the change the modes, not least in the musical sector. I look at the current German-language music scene, is almost invariably wonder. Those who occupy the front chart places in our day do - apart from rarest exceptions - soulless computer music on a conveyor belt and have partly not even get a record deal during the 1970s, in which the voice of an artist still considered: Soulless seemingly Bierzelt figures with silly texts without charisma, bar real talent. But: Strange mass appeal.

Mass appeal were the greats of those aforementioned colorful decade, whether Mireille Mathieu, Vicky Leandros, Katja Ebstein, Gitte Haenning, Marianne Rosenberg or Daliah Lavi were called and called, because each of these artists is still active and / or forgotten , They must also not all love - Chacun a son gout. But one thing you have to leave all these women: they had voice, charisma, "types" and unmistakable, needed no pyrotechnics, no Hupfdohlen male and female sex, no to almost the pubic border reaching embarrassing Dominacorsagen and half and full playbacks were not dull rhythms unit to draw attention to themselves and to survive. They could rely on their talent, their voice, in her unmistakable timbre.

This is certainly not last for Daliah Lavi, that glutäugigen beauty of Israel, who was suddenly "love song that Summer Night" talk of the town and about 10 years in public polls for the most popular singer of the German with the Mathieu "dueled". So mass bullCompatible her but - what a high level! A voice as distinctive as that of Knef, a unique phrasing in vocals and songs that brought a textual claim in their majority, which was actually not necessarily viewed as a majority.
That he was there nevertheless that Daliah Lavi is an icon of the "Schlager" and became forgotten until today, rests solely on the uniqueness of their elocution, which so ever, was never afterwards. If I "Cafe Decadence" Listen, for example, finally published in this box CD work, I can think of no other artist who these songs such an unmistakable stamp would press on, can breathe them such a special atmosphere that is not imitable, not be copied ,
Very well have Although the original vinyls in this Hard regard. Her repertoire also differences in quality and not all of them to keep the constant, continuous top level of that "cafes" are capable, as they are all written with a lot of know-how, high musicality and the marked constant uniqueness of a unique artist who is this box a real treasure and are understandably be why Daliah Lavi to fascinate today knows: Through Talent "easily". Real Talent. Without frippery.
And that, pressed on round discs, outlasted decades, probably the "sizes" of today is as imperishable as fashion independently, will remain when the audience after the media leave the Lavi reduced naturally, and are repeatedly rediscovered amazement of those who know how to give quality priority.
And also there was always. And there will always be.