Acoustically tuned album, very cautious and intimate!

Nolwenns "Histoires naturelles" had to offer some Pophammer, much variety of French music, from pop to pop rock, chanson and electronic gadgetry, opulent and very orchestrated, especially "J'amais tant l'aimer" took me out of the synagogue and was very impress with its instrumentation and the chorale at the end.

Nolwenns new album is not as varied, no electronics, no backing vocals, no opulence.

There are many acoustic songs, beautiful wind instruments, strings, piano, harp (quite excellent!) And glockenspiel, acoustic guitars, of course, but all kept very cautious and intimate.
That sounds anytime nice, especially "Cauchemar", "Valse au sommet", "Parfaitement insaisissable" and "Amis des Jours De Pluie" convince me with their pure melancholy basic theme, the harp and cello sounds, the beautiful voice of Nolwenn Leroy and the special French language.

English titles such as "You get me" Nolwenn are good, unfortunately I like French in Nolwenn prefer.

Overall a nice album, especially not with the two bonus tracks designed ("Aucune idea" as an acoustic guitar song with female vocals accompaniment), the special pack with 13 titles including text on bonus cards in the style of the album, especially worthwhile.
But no full marks as in "Histoires naturelles" because the songs sound but then very similar over time.